Abstract
In the era of globalisation supported by the development of modern technology, local cultural heritage is increasingly forgotten. Therefore, this study aims to analyse the history, rituals, and meanings behind making bark cloth by the Kaili community in Pandere Village. The qualitative research methods used were in-depth interviews, participatory observation, and document analysis of the Kaili community in Pandere Village, Sigi Regency, Central Sulawesi Province, Indonesia. The data collected was then analysed using interactive analysis, which includes data condensation, presentation, and conclusion drawing. From the results of the research, it is known that the tradition of making bark cloth has been passed down from generation to generation. This is evidenced by relics or artefacts in bark cloth-making equipment found at sites on Sulawesi Island. However, with the development of the modern fabric industry, the use of barkcloth as an everyday clothing material is increasingly forgotten. However, it is still used in traditional ceremonies like the Balia and Mokeso Ceremony. The meaning and symbols of the barkcloth are divided into 3 (three) parts: shape, colour, and decoration. Efforts to preserve this local tradition continue by adjusting the presentation and packaging without losing the local tradition’s essence, meaning, and original value. Preserving local traditions also involves various agents, including the government, the economic market, and the community.
Keywords: Barkcloth, Cultural Heritage, Cultural Preservation, Globalisation Era, Local History.